This is the first of a series of articles about contemporary digital recording practice in a volunteer church service recording context. The advent of digital mixers and digital audio workstations has completely changed this game allowing a patient amateur to make a clean pleasing service recording for distribution to shut-in and traveling members.
Those wishing to learn more about copyright in house of worship program production are advised to see reference 1 for a complete discussion. Copyright law specifically exempts houses of worship from royalty payments for material performed or presented as part of a worship service proper. Houses of worship are required to pay royalties for non-worship use of copyrighted material not in the public domain. For this reason, we distribute service recordings to members on physical media and include only material copyright by the church or our speaker in our weekly sermon podcast that is publicly available.
After the break, we’ll talk about track capture off of a digital mixer. Although not hard, each mixer has its quirks and limitations so our intent here is to alert you to typical challenges and limitations rather than to provide switchology for a specific mixer or mixer family.
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