Those of you who saw the John Darko interview of Jason Stoddard and Mike Moffat filmed at the 2018 RMAF know that both have a passion for Schitty puns. During this interview, Mike teased a “Schiit Pi” concept. Mike’s idea was to embed an ARM processor in products to pick up additional digital signal processing tasks beyond the abilities of the Burr-Brown parts he had been using.
Jason is adamant that Schiit will not become a “software company”, that is offer IOS and Android apps or make devices having a significant user interface say like Roon Controller or Volumio remote. The ongoing maintenance of these products is simply too costly for the Schiit minimalist value first design esthetic.
A Minimalist Streaming Player
So can we make a minimalist streamer using a hatless Raspberry Pi? If we did, how would it sound? This product is as basic as a Roon Player can get. It turns out to be a very good one. Will Jason put it in the catalog? Probably not. Volumio got there first with more software integrated.
Those not wanting to tinker with hardware and software will find Volumio Primo a good alternative that provides a SBC and DAC supporting AirPlay, Rune, Roon, Spotify, and others but excludes the headphone amplifier. John Darko’s review is excellent and he likes the sound of Primo and the value offered. Primo is comparable, maybe not quite as sweet as the Allo Digi+ Signature. However, the ALLO devices requires you to bring your own DAC.
Continue reading Schiit Pi?
The Moocher had been mixing church service recordings using the DAC and amplifier built into his 2017 5k Retina display iMac. This sound is not bad but not the best. After a year of fatiguing sound and an inflating checking account, it was time to purchase something better for the desk. Having Gumby aboard for 9 months, what better choice than Schiit’s Modi and Magni. These two $99 products account for 1/2 the company’s revenue.
So, $200 gets you a complete personal audio system less speakers or headphones. How does Jason perform this magical feat? (The Moocher is pretty sure Jason has been to the Highway 51 Crossroads.) First, the design is minimalist, just the bits needed for brilliant musical reproduction are present, no less and no more in this music first design. Point of sale graphics, fancy cases, auto input selection logic, etc are all left out in favor of a sophisticated circuit topology, carefully selected components, and quality construction and testing. Second, they sell direct. No distributors or retailers adding vigorish. Third, they have low failure rates resulting from careful design, design testing, quality builds, and build testing. Everything runs for a day on the burn in rack to catch weak parts or assembly flaws.
Continue reading More Schiit — Modi and Magni
This is the first of a series of articles about contemporary digital recording practice in a volunteer church service recording context. The advent of digital mixers and digital audio workstations has completely changed this game allowing a patient amateur to make a clean pleasing service recording for distribution to shut-in and traveling members.
Those wishing to learn more about copyright in house of worship program production are advised to see reference 1 for a complete discussion. Copyright law specifically exempts houses of worship from royalty payments for material performed or presented as part of a worship service proper. Houses of worship are required to pay royalties for non-worship use of copyrighted material not in the public domain. For this reason, we distribute service recordings to members on physical media and include only material copyright by the church or our speaker in our weekly sermon podcast that is publicly available.
After the break, we’ll talk about track capture off of a digital mixer. Although not hard, each mixer has its quirks and limitations so our intent here is to alert you to typical challenges and limitations rather than to provide switchology for a specific mixer or mixer family.
Continue reading Digital Recording of House of Worship Services
Are streaming services evil? For some. For others, they are the gateway to new artists, concerts, and record purchases. Audiophiles that have made the leap are in this latter camp. There’s more to life than the next Beatles reissue. Read on to learn how Roon, Qobuz, and Tidal combine synergisticly to promote artists and music. Roon 1.6 Radio is the secret.
Continue reading Music Discovery in the 21st Century
John Darko of Darko.Audio fame asked what you hide your Raspberry Pi based audio player behind. That got me thinking. Give it a face like a Bryston Audio BDP-Pi player. Could that be done?
John was a fan of the RoPieee Linux plus Roon Bridge distribution so I gave RoPieee a try. In reading the RoPieee installation notes, I noticed that it supported the Raspberry Pi 7 inch touchscreen display. Having one lying around, I decided to add it to the basic Signature One player.
As always with DIY, some assembly is required and it is not all in the fine manual. I was using my display with an Allo DigiOne Signature HAT assembly. This HAT blocks access to the GPIO power pins. Oops — what’s the work around. Keep reading after the break.
Continue reading Allo Digione gets a Face
Radio, like most else, has gone digital. In the early days of digital signal processing, pioneers realized that many modulation and demodulation techniques could be performed by digital computation.
As computers became cheaper and faster and integrated circuits became cheaper and faster, it was inevitable that the guts of radio receivers and transmitters would be mostly digital and that computers would do much of what went on inside new radios.
This post will describe the initial exploration of GQRX and RTL-SDR here at Dismal Manor. Most of what is already written on the Internet neglects to mention a couple of details the Moocher learned the hard way. Find out what these are after the break.
Continue reading MacOS Software Defined Radio with GQRX and RTL-SDR
Much written about personal audio is written to separate the established audiophile from a few dollars to buy a new gadget. This article is written for a student using Spotify or iTunes with headphones on an existing laptop.How can you begin a personal audio system and what are your migration paths going forward.
Continue reading Personal Audio on the Cheap
Digital audio systems since the beginning have used elevated sampling rates for processing while down-sampling the product to 44.1 or 48 KHz sampling rates for storage and transmission. These design decisions are attempts to satisfy the requirements of the sampling theorem using easily implemented anti-aliasing filters and reconstruction filters.
Continue reading Why Digital Audio Systems Upsample
FreeNAS 11.2 has been out for a few weeks. After some time running Roon on a Ubuntu equipped 2009 Mac Mini, I decided I’d give Roon a try in a BHYVE VM on the new FreeNAS build. This note recounts the experience so far. As usual, both FreeNAS and Roon have their secrets and they interact.
Continue reading Roon in a BHYVE
I’ll try to avoid the schiit puns as Gungnir Multibit (Gumby) arrived and is settled in my audio rack. Gumby is a good Gumby! Jason Stoddard and Mike Moffat founded Schiit about a decade ago to scratch their audio design itch. Schiit has an unusual philosophy and take on high fidelity audio equipment, that it exists to serve the love of music and not to be techno-sculpture in the lounges of the rich. Rather than making a big statement piece for the wealthy, they began by making affordable $100 devices for those wishing for more than headphones plugged into an iBook. And they set out to show that you could build here of mostly US made stuff and be profitable.
Continue reading Gumby is a good gumby